Artificial Intelligence Art and Aesthetics Research Group (AIAARG)

Outline

  • [Title]


    • Hirokazu Hiraishi + AI Composition and Computational Creativity
  • [Date]

    • 14:30-18:00(Door Open 14:00)
  • [Venue]

  • [Part 1: Hirokazu Hiraishi]

    • A Dim Memory of Spacetime for String Quartet
    • Prismatic Pulsation II for String Quartet
    • Spiral Path of Piano No. 5 for Piano *New piece/*World premiere
    • Pebbles Take Breaths for Piano and String Quartet *New piece/*World premiere
    • Space Music for Computer and 8ch public-address system
    • Piano: Tomoko Yazawa, Violin 1: Yuki Ahagon, Violin 2: Chikako Kinjo, Viola: Sawako Higa, Cello: Nami Munemoto
  • [Part 2: AI Composition and Computational Creativity]

    • ★Medieval and Renaissance: vocal polyphonies
    • Jason Sakellariou In the style of Guillaume de Machaut, In the style of Ravenscroft, In the style of Palestrina
    • ★Baroque: Bach's chorale styles
    • Ray Whorley: An Wasserflüssen Babylon (three versions)
    • Gaëtan Hadjeres: Ich ruf' zu Dir, Vater unser im Himmelreich, Chorale without words (or constraints)
    • ★Mozart
    • Stefan and Carlos Mozart Unchained, Mozart Constrained: Alla Turca Meccanica KV 415 8/11
    • ★Classical, Romantic, and Modern
    • David Cope with Experiments in Musical Intelligence Sonata (after Beethoven),
    • Rhapsody (after Brahms), Le Prelude (after Debussy), Poeme (after Scriabin), Eine Kleine Stück (after Schoenberg), Drome (after Webern)
    • ★The 20th Century & Contenporary
    • Brian Bemman The Computer as Specialist (Who cares if you compose?) (Milton Babbitt's style)
    • Izaro Goienetxea Euskal Herritik Londreseraino (Basque fork song)
    • Tsubasa Tanaka Alchimie Celluaire (original style)
    • Soprano: Hiroe Nakazato, Alto: Ritsuko Chinen, Tenor: Naoki Tasato, Bass: Hirotaka Nakamoto, Flute: Eriko Maeda, Piano: Tatsuya Sakuma, Akiko Taira, Violin 1: Yuki Ahagon, Violin 2: Chikako Kinjo, Viola: Sawako Higa, Cello: Nami Munemoto
    • Thanks to: Brian Bemman, Geraint Wiggins and David Meredith. Learning to Create (project number 610859, funded by EU FP7)
  • [Part 3: After Talk]

    • Hirokazu Hiraishi, Tsubasa Tanaka, Hideki Nakazawa
  • [Entrance Fee]

    • Free
  • [Organizers]

    • Artificial Intelligence Art and Aesthetics Research Group (AIAARG)
  • [In collaboration with]

  • [Sponsored by]