Artificial Intelligence Art and Aesthetics Research Group (AIAARG)

Part 1: Masahiro Miwa

• • "Our Favorite Buns at School Lunch" -for an onlooker and 6 pupils on duty -
  • Fumi Mizuno, Kaho Sasaki, Kouta Tsumagari, Matsuaki Arai, Yuki Ito, Chinatsu Kondo, Hodaka Nagaya(voluntary mambers from Nagoya University of Arts and Science)
• • "Rainbow Machine" The Genesis of Chant
  • Piano: Player Piano
• • "Rainbow Machine" The Genesis of Chant
  • Piano: Takashi Yamane
• • The "Matarisama" Presentation

Part 2: Furukawa Kiyoshi

• • From "Music by Numbers"
  • Fractal Music (nonlinear structure) 1992
  • Piano: controlled by computer Kiyoshi Furukawa
  • 1)mandelbrot sets1", "2)chaotic attractor", "3)mandelbrot sets2", "4)csllautomation", "5)julia sets1"
• • "Architecture Dreams Music" Hearing Experience of Architectual Space
    Presentation & perfomance by AdM-research & creation team * New piece / World premiere
  • Kiyoshi Furukawa (music, Tokyo Univercity of the Arts), Haruyuki Fujii (architecture, Tokyo Institute of Technology), Takayuki Hamano (system development, Tokyo University of the Arts), Yuki Kobayashi (architecture, Tokyo Institute of Technology)

Part 3: After talk

Masahiro Miwa, Kiyoshi Furukawa, Hideki Nakazawa

Part 1: Hirokazu Hisaishi

• • "A Dim Mmemory of Soacetime for String Quartet"
• • "Prismatic Pusation Ⅱ for String Quartet"
• • "Spiral Path of Piano No.5 for Piano" * New place / World premiere
• • "Pebbles Take Breaths foe Piano & String Quartet" * New place / World premiere
• • "Space Music for Computer & 8ch public-address system"
  • Piano: Tomoki Yazawa, Violin 1: Yuki Awane, Violin 2: chikako Kinjo, Viola: Sawako Higa, Cello: Nami Munemoto

Part 2: AI Composition & Computational Creativity

• • Medieval & Renassance: vocal poliphonies
  • Jason Sakellariou "In the style of Guillaume de Machaut," "In the style of Ravenscroft," "In the styke of Palestina"
• • Baroque: Bach's chorale styles
  • Ray Whorley: "An Wasserflussen Babylon" (three versions)
  • Gaetan Hadjeres: "Ich ruf'zu Dir," "Vater unser im Himmelreich," "Chorale without words (or constraints)"
• • Mozalt
  • Stefan & Carlos "Mozart Unchained," "Mozart Constrained: Alla Turca Meccanica KV 415 8/11"
• • Classical, Romantic, & Modern
  • David Cope with Experiments in Musical Intelligence "Sonata (after Beethoven)," "Rhapsody (after Brahms)," "Le Prelude (after Debussy)," "Poeme (after Scriabin)," "Elne Kleine Stuck (after Schoenberg)," "Drome (after Webern)"
• • The 20th Century & Contenporary
  • Brian Bemman "The Computer as Spetialist (Who cares if you compose?)" (Milton Babbitt's style)
  • Izaro Goienetxea "Euskal Herritik Londreseraino" (Basque fork song)
  • Tsubasa Tanaka "Alchimie Celluaire" (oliginal style)
• Soprano: Hiroe Nakazato, Alto: Ritsuko Chinan, Tenor: Naoki Tazato, Bass: Hirotaka Nakamoto, Flute: Maeda Eriko, Piano: Tatsuma Sakuma, Akiko Taira, Violin 1: Ahagon Yuki, Violin 2: Chikako Kinjo, Viola: Higa Sawako Cello: Nami Munemoto
• Thanks to: Brian Bemman, Geraint Wiggins & Meredith Learning to Create （project number 610859, funded by EU FP7）

Part 3: After Talk

Hirokazu Hisaishi, Tsubasa Tanaka, & Hideki Nakazawa

Part 1: Conlon Nancarrow

• • "Studies for Player Piano" the first half

Part 2: Conlon Nancarrow

• • "Studies for Player Piano" the second half

Part 3: After Talk

Ayumu Morita, Hideki Nakazawa & Special Guest

Day 1: Open Workshop (2.5h), Performance (30min)

• November 11(Sat), 2017
• 14:00~17:00 / B254 (outdoor), Center Bldg./ Admission Free

Day 2: Open Workshop (1h), Performance (30min)

• November 12 (Sun), 2017
• 11:30~13:00 / B254 (outdoor), Center Bldg./ Admission Free